D.B. JONAS
QUI EST LE POÈTE?
D.B. Jonas is an American poet born in 1951 in California.
He was raised in Japan and Mexico and studied literature and philosophy at the universities of Padova, Princeton and Yale. Retired from a long career in business and the sciences, he tends his orchards in the Sangre de Cristo Mountains of New Mexico.
À PROPOS
His poems have appeared in various journals throughout the USA, Canada, UK, Europe and Israel, including
Neologism,
Ekphrastic Review,
Decadent Review, Tar River, and Consilience.
LA PIÈCE DE RÉSISTANCE
FUTURE PLUPERFECT
«...A future that has already somehow transpired»
1.
Ribbons of woodsmoke rising
from the pig-farm chimneys
below Muzzano, a morning’s
laundry frozen stiff
in the winter air, he’d sit
perched on the monastic window-ledge,
over the valley, in the wan light
of a January afternoon, strains
of Mahler or Monteverdi
on the rented Phillips in the room
behind him, recordings purloined
from the Villa de Nobili’s
disused archive. Braced against the chill,
he’d conjure the punishing noonday sun
in Rome that August, the scorching footsoles
of his paper-thin sandals seeking relief
under some narrow pediment’s scant shadow.
Hurrying along the blind facades of the shuttered
buildings, slapping up the empty, heat-blasted
pavements, he’d escape
into the shady paths of the Borghese Gardens
to sit beside those inscrutable Etruscans,
and fathom, or so he’d hoped, some meaning
in their serene, sarcophagal,
argillaceous quiet.
2.
Some days he’d seek shelter
among the fragrant shelves
of the English bookstore, two flights down
From John Keats’ last rooms
beside the Scalinata, and once,
at the price of two meals,
purchasing an exquisite little Blake there,
a gift for the jovial, skeletal
Jesuit who’d danced merrily
his jocular danse macabre
before his class each morning
at the blackboard on Monte Mario,
shirt-tails flying, flourishing
his passkeys to the hermetic lore
of integrals and infinitesimals.
This farewell gift of Blake
had seemed a suitable complement
to that master’s own delighting,
his eager, matutinal enactment
of countless angels swirling
across a calculus of impossibly tiny spaces.
3.
Those days at Rome and Muzzano
and Padua, of life in the shadow
of the Scrovegni, amid the amiable ghosts
of Galileo Galilei and the vainglorious Gattamelata,
of excursions north into the Engadina,
into the Dolomites, of pilgrimages
to Arqua, to the Titians at the Accademia,
to stroke the cool, accessible porphyry
of the inscrutable Tetrarchs at San Marco,
were all now passed, now quietly domiciled
in recollections at the center of his “now”
along with other lives lived, with his brief habitation
among the Roma of Morón,
an eager little guero sitting jaléo
beside the great Diego and La Fernanda,
and La Bernarda, at dawn on the third day
of someone’s wedding.
Along the way, he learned that only
the most particular can speak truth’s vernacular,
only the most specific fact will ask us each,
as Darwin taught, and Proust,
not was this true, but is it?
4.
In the end, the lives we’ve led
lead lives of their own, their unremembered
collaterals free to materialize out of season,
uninvited, prompted by some unremarkable,
fugitive summons, exhaust fumes
from a city bus on a rainy day, perhaps,
or the roughness of a plaster surface
on our naked palm. The perfect discontinuities
of our serial existence are subject ever
to the violation of some unbidden transversal,
propelling us toward the unremembered,
the irretrievable, the inescapable,
where we reside in unrelieved instability,
as if detained, importuned by another past
than memory’s, by a past not available
for recall, older than anecdote,
more ancient than biography,
by a persistence intrusive, unbidden,
invasive, returning us always to this place,
always somehow to the same, but somehow also
always changed, always too late to meet
this elusive present, this currency
where we strive to remember.
5.
From the unstable place that is our abode,
we may only ceaselessly venture forth
to meet a future that has already
somehow transpired,
to take possession of what has already
appropriated us, where what we remember
has always the flavor of an anticipation,
the nonlinear, chiral occurrence of recurrence,
an event that has, as shell-shock taught,
never definitively happened, and to find ourselves
intricated in the not-present, knotted into a past,
implicated by a future, elsewhere than any here,
for every knot, as our topology shows,
is always first a twist, and every line
in this round world,
first and foremost, a curve.
DB JONAS